THE STRANGER | Inspired by Art

The Stranger

Category: Inspired by Art

Music is Sanity

THE STRANGER | Shangri-la | Michelle Lara Lin in Shiatzy Chen

Photographer: Wayne Lin
Location: The Presidential Suite in Shangri-La Taipei, Taiwan
Outfit and accessories by Shiatzy Chen, ring by Possibility

Lately I have been battling another episode of depression. To compensate for the pitfalls of bipolar disorder, I take meticulous care of myself. I run, eat healthy, sleep well, frequent the mountains, meditate, read, and relax. These practices really help mitigate the intensity of all episodes– whether manic, depressive, or mixed. However, they are not panaceas for mental illness. I am still tormented by nightmares every night. Some days I feel terrible for no good reason at all. I find myself wishing to die and put an end to everything. Then I begin to helplessly scrummage my mind to rationalize and justify my mood–did someone die? did I lose an arm? In a society that preaches happiness with the sort of sickening fundamentalism akin to religious martyrdom, depression that doesn’t happen for a justified reason is stigmatized. But of course, these futile attempts to rationalize my depression only make me feel worse. There is no rational explanation for my mood, except for this illness that sends me cycling through extreme episodes.

THE STRANGER | Shangri-la | Michelle Lara Lin in Shiatzy Chen

Last night, a friend linked me to a few of his favorite Erik Satie pieces. I laid down on my bed, closed my eyes, and listened to Gnossiennes and Gymnopédies pieces. What I felt was indescribable. It was a sensation that was beyond words. In my normal and hypomanic states, classical music has never had this type of effect on me.  I had no clue what was happening. I felt like I was undergoing a transformation, entering a new realm, a multiverse–a metamorphosis of the mind. Tears were trickling down my face, but they were tears of joy. I was in ecstasy.

In Twilight of the Idols, Nietzsche writes:

Without music, life would be a mistake.

In context of the book, I believe that Nietzsche meant to suggest that life without music would be a mistake because music offers a type of metaphysical solace that cannot be found in linguistics or symbolism. But I believe that music, particularly in Nietzsche’s case, couldn’t have just been a metaphysical solace. It served something grander than that. For many who are tormented by mental illness, music is not just a solace, is a sanctuary.

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Hope

THE STRANGER | Michelle Lara Lin

Photographer: Wayne Lin

Inspired by a painting I hold very close to my heart, Hope by George Frederic Watts. Tweaked it a little so that I could distort the original message almost entirely…

Hope, Watts

“All that remains is a fate whose outcome alone is fatal. Outside of that single fatality of death, everything, joy or happiness, is liberty. A world remains of which man is the sole master. What bound him was the illusion of another world.”

Albert CamusThe Myth of Sisyphus

THE STRANGER | Michelle Lara Lin

THE STRANGER | Michelle Lara Lin

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Nocturnal

THE STRANGER | Michelle Lara Lin | Edward Hopper inspired fashion shoot

Photographer: Wayne Lin

I’ve always been particularly drawn to Edward Hopper paintings. If his name doesn’t ring a bell, you may be familiar with his most famous painting, Nighthawks. If you have a look through some of his paintings, it should be immediately obvious why I’m so drawn to them. There’s a lingering feeling of loneliness that permeates his paintings, but it’s not explicit. Instead, it haunts you in your sleep. I think I was inspired to do a nighttime shoot because I had a dream that took place in a setting similar to the diner in Nighthawks (not to mention, I’m an extreme night owl).

Hopper’s paintings remind me a little bit of Edvard Munch. But in stark contrast, every emotion is expressed so subtly. The feeling of desolation in Hopper’s paintings is quite subtle. Munch’s paintings are swelling with despair, isolation, anxiety, and melancholy. It almost feels as if Hopper is intentionally withholding, as if his paintings are meant to torture us like the tip of the iceberg. Initially I sensed immense restraint to his paintings, but after reading more about his character, I realized that the restraint is simply an extension of his personality. He was known for being extremely introverted and reserved, in a way that reminds me of Camus. Both of them worked in bursts of spontaneous inspiration. Afterward coming down from those short bursts, plagued with a whirlwind of self-doubt, they’d dilute the work furiously until they had erected a safe barrier between themselves and the art.

In case you’re curious, my favorite painting by Hopper is Automat. I can’t look at that painting for too long though. It frightens me a little.

THE STRANGER | Michelle Lara Lin | Edward Hopper inspired fashion shoot

THE STRANGER | Michelle Lara Lin | Edward Hopper inspired fashion shoot

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